"I voted for papaya, and reported it to Joan. I also reported that I always thought it was good."
I voted for the peach, and reported it to Qiong Yao. I also think that it is good.
I voted for Mu Li and reported it to Qiong. I also think that it is good. â€
- "Book of Songs · Guofeng · Zhou Nan"
Hetian Meiyu, when you look at it, it is soft and soft; when you touch the skin, it is cool and cool. Wearing a Capricorn, just like a friend who has unlimited "positive energy", feels at ease, fresh and happy. It is really appropriate for Confucius to compare the beauty of its texture to the virtue of a gentleman. For the Chinese, it has an innate sense of intimacy. It not only inherits the spirit of heaven and earth, but also carries a good moral education, representing the literati taste of eternal and thoughtful. Since ancient times, they have naturally and fluently and profoundly recorded the historical stage of each of the Chinese culture. In the leisure time, play with the Capricorn, make it more gentle, you can also wipe the dust and entanglement of your heart, and I am honest and sincere.
The beauty of jade, the literati of the past dynasties has always been praised. The Book of Songs praises jade with "Qiong, Qiongyao, Qiongqi". "Running with warmth, and benevolence of the party; ruling from the outside, you can know the middle, the righteous side is also; its sound is Shu Yang, 尃 尃 far, the wisdom of the side is also 桡 桡 , , 勇 勇 勇 勇 勇 勇 勇 勇 勇; No skill, the singer is also." Xu Shen of the Eastern Han Dynasty in the "Shu Wen Jie Zi" interpretation of the word "Jade", such a high-profile jade characteristics like the gentleman's five virtues, the later generations respect the classics, passed down to this day.
No other material can be found in the world. It can withstand the baptism of the years, and there is no other material that entrusts the Chinese people with such profound ideas and long-standing and strong emotions.
Only belonging to the nation can stand international
In the permanent jade exhibition hall of the Taipei National Palace Museum [Weibo] Museum, there is a white jade lychee in the middle of the Qing Dynasty. "Koi Shu" is actually the nickname of bitter gourd. This white, delicate and gentle white jade ornaments has had a very close spiritual dialogue with Mr. Yu Guangzhong, the author of "Homesickness". In another Psalm of White Jade Bitter Melon, which was sent to his hometown, Mr. Yu sighed as a mother of the motherland. "The ancient China fed and fed the milk", "Yu Kyushu", "the whole continent of love in a bitter gourd" are very distinct national synonym. After "Yu You’s a thousand years of great sorrows", after the "Qing Mo Yue to learn the deep pregnancy of Qing Ying", it means that the process of the birth of jade is like the growth and maturity of bitter gourd or the motherland, and finally like "a song, å’Life used to be melon and bitter, and it was eternal extradition, and the result was sweet." On the one hand, the pursuit of artistic creation can surpass the time and flow through the world, sweet like "Xianguo", and "full and not rot", with eternal value; It also means that the rise of the Chinese nation has a long history. After the ancient times, it has been nurtured for generations. The author once said: "Only if it truly belongs to the nation can it truly become an international one."
Only nationality can become international. Putting a piece of art on a lot of rich and heavy feelings is a continuation of the tradition of the ancients to "take the road" and "borrow the words". Zhou Gongxin, dean of the National Palace Museum in Taipei, said: "In all kinds of instruments that can take the metaphysical 'device' and carry the metaphysical 'dao', the jade is the most ancient, the most mysterious, the most continuous and the most profound. The most popular objects, popular and popular, are the things that are popular with the public." It is also with these "Chi" and "Tao" that make jade culture and art more eternally.
Jade carving technique
The Chinese ancestors worshiped all things and spirits, and with the beauty of the "fine energy", they had a dialogue with the supreme master of nature, the Emperor. The jade of various colors is used as a ritual, ç®, åœ, ç’‹, ç¥, ç’œ, and ç’œ ,. With the advancement of society and the rise of humanism, Confucianism interprets the virtue of the beauty and jade of the gods as the virtue of benevolence, righteousness, wisdom, courage and cleanliness. The mysterious thinking of using jade as a carrier of psychic, through the acculmatization of humanism, became a ritual to show the virtues of gentlemen and maintain social order in Zhou and Han dynasties. After the Six Dynasties, Sui and Tang Dynasties, and the Song and Yuan Dynasties, after integrating foreign art and reflecting on ancient rituals and legal systems, they intertwined the cultural essences of realism and antique Shang Xuan.
During the Ming and Qing Dynasties, the commodity economy was developed, the imperial prizes and the new varieties of jade materials, the input of various colored stones, which made the jade carving skills improved, and also made better use of jade color texture to create clever works with cultural connotations. In the early Qing Dynasty, the southern jade craftsmanship was higher, and large jade articles were transported to the south for processing. According to the Qing Dynasty archives, after the two sides settled in the border between the 20th and the 24th year of the Qianlong period, Xinjiang has 2,000 kilograms of tribute to the capital every year. The establishment office and Suzhou and Yangzhou have widely applied Hetian jade. Jade has become the mainstream of jade in the court. Emperor Qianlong was extremely keen on jade, and even personally supervised the production of court jade. In addition, more than 830 poems about the praise and research of jade articles were included in the Complete Works of Qing Gaozong Imperial Poetry. His physical practice has promoted the jade of the whole society. By the end of the Qing Dynasty, famous artists have gathered together, and old Beijing has become a leader in the processing of jade articles in the country.
Each stage has its own characteristics of the times, carrying the tradition and opening new trends. In today's era, the ideology and cultural background of the entire era have been completely new, and the jade culture as a road has begun a new journey.
"Haipai", "Jingpai", "Yangpai", "Subang" and other genres coexist, and the parties are carving a new era while inheriting the fine traditions. This era has a broader world culture than the Six Dynasties, Sui, Tang, Song and Yuan dynasties. It also has more direct and fierce financial economic stimulus than the Ming and Qing dynasties, as well as more advanced jade mining. Technology, but also a lot less burdens, this is an unprecedented stage. The most outstanding representative on this stage is the Haipai jade carving world. Many jade carving masters have emerged, and their works are colorful. Cheng Gukai is not only a development of culture and art in a big era, but also a philosophy of survival as a molecular individual in this era.
Fresh factor Haipai jade carving master
The godfather of jade carving - Ni Weibin, the leader of "Rohan Sanjie" - Wu Desheng, Luo Han everyone - Yan Guiming, practicing the essence of artistic thoughts, Yu Yu, the master of the inscription of "half-seven gods" - Yi Shaoyong, "Carving all-rounder" Liu Zhongrong, Chinese and Western The "Chinese and Western Wind" mourning guards of the wall, "Oriental Shaoshuai" Wang Ping, Wang Dehai, Zheng Mengxian, Hong Xinhua, Yan Huizhong, etc., are the backbone of the contemporary jade carving world. Because of their respective achievements in different sculpture themes, they were sealed with various titles.
Ni Weibin has made important contributions to the beautiful Luohan, Zigangyu brand, and figures of Buddha statues. He founded Yayuan and trained a group of masters such as Wang Ping, Yu Yu and You Zhiguang, and respected the godfather in the jade carving world. "Four kings". His jade carving concept is an identification of Chinese traditional culture. He believes that "belief is beauty" and all things that are called the name of art are faithful. If there is no faith, all creation will be stale. It is said that jade is "priceless", which means that art is originally "a money is worthless, and it is hard to find money." A good art can only be called a play if it is cut into the product from the spiritual level.
Wu Desheng, as one of the representative figures of the Haipai jade carving, played an important role in the integration and development of the Haipai jade carving. He is an artist who leads the trend and opens the trend. His works are all-encompassing, flowers and birds, grass and birds, birds and beasts, Guanyin Buddha statues, city Xiaomin, boys, old men and women, geometric abstraction. His ability to dialysis and color separation of equipment is superb. For some materials that are mixed in the interior of the jade (blue and white and other impurities), this is a material that is not optimistic for the average person. He is often able to create unique and astounding works.
Yu Yu, the industry commented that Yu Yu is a jade eagle with personality and thought. What he is best at is the round carving process. The subject structure and dynamics are accurate and attention-oriented. Therefore, there is no “fire†in the works, and a gentle and thick elegant rhyme is always emitted. No. 2 is his Guanyin and animal works. His style is elegant, elegant, simple and elegant, simple and elegant, and his texture is precise. He emphasizes the relationship between muscle and bone, and pays attention to accurately showing the changes in muscle and bone involved in different movements. When the audience appreciates his work, he can't help but marvel at this realistic, natural line, and the texture turns.
Yi Shaoyong, various jade cards are his representatives. The work emphasizes the composition of the chapter, from the mountains and stones, to the flowers and trees, with a variety of different texts. "Half-sex and half-god" is to praise the temperament and quietness of his works, the leisure and leisure, and the temperament of not eating the fireworks.
Liu Zhongrong, the "Sapphire Animal Face Pot" made in 1984, was later designated as a historical artifact-level treasure by the state and was collected. The skilled application of the lines, the rich level of performance and the grasp of space are the masterpieces of Liu Zhongrong. Whether it is a straight line or an arc, it is full of "tough" and "strength", and it is delicate and clean. The mastery of the relief level is even more exciting. On a small jade card, at a small distance between the highest and lowest points, he can make more layers than others, plus pairs of characters, animals, flowers, landscapes. The precise grasp of the structure of objects and objects makes his works have a warm, smooth and soft brilliance in the three-dimensional sense.
They stand on the platform of Chinese traditional culture, inherit the sensitive, delicate characteristics and bold and open adventurous character of Wuyue culture, and absorb the fresh cultural factors of the West, new aesthetic views, enrich their self-cultivation, and continue to concentrate on accumulation. The heart is honed, and after ten or twenty years of self-improvement, it has formed a unique cultural temperament of openness, creativity, and pluralism, and consciously and unconsciously advances toward the most cutting-edge direction of this era.
Jade collection and investment
For the collection of jade, according to the individual taste, the collection can be divided into high ancient jade, ancient jade and new jade. Gao Guyu refers to the jade artifacts before the Han Dynasty. The lower limit of ancient jade is the Republic of China. Of course this is only a rough distinction from the time of engraving. Many people do not look at engraving when collecting investment, only look at jade material, the most concerned about the material of jade material, so only invest in the original stone jade. In addition, some people value the human spirit and the engraving process, so there is the old and new points at the beginning of this article. Some people pay attention to the ownership and identity of their traditional culture. Some people appreciate the emerging trend of thought, pay attention to the future, and collect the present.
For those who are slightly fascinated by jade, you can start with Xinyu first, you don't need to slap too thick textbooks, and you can experience it with an intuitive feeling. This is the convenience and directness of the knowledge structure. In addition, with the modern developed jade mining technology, many top jade materials that could not be imagined in ancient times have entered the new jade market, and the rivers producing the Hetian seed material have long been dug. How deep is it, how many times it has been turned over, and news of resource warnings has already been heard. In addition, as mentioned above, modern jade carving masters are creating history and collecting the present, that is, collecting the future, throughout the cultural heritage and development.
A person, for different tastes and hobbies may extend over time, their own development will change. But their starting point is almost always the same as the close recognition of jade culture.
Talking about the way of collecting and investing, as well as the news and old news that have been plagued by the abductions, everyone has already been familiar with the overwhelming publicity and publicity of various media channels. If you don't want to repeat their mistakes, you can go to the ecological and ethical feelings of Xianghe as advocated by Zhuangzi.
The first is the normal heart. Normally, one of the key points is "to quit greed". You can't hold the mentality of "missing" and "getting rich overnight." The benefit is a happy natural enemy and a source of pain. By the way, I am fortunate to be the only happy rule of collection. Xu Zhimo once said: I will look for the only thing in my life soul, and I will be lucky; no, my life. This kind of avenue is universally applicable, not to mention the beauty of jade, which can support people's good yearning for spiritual life.
The second is not to listen to the story to see more goods, more comparison. In the film "LiberalArts", the DEAN, considered to be spiritually arrogant, reveals the true nature of society - "The people around you are extremely exaggerated and everything is the best. For example: XY is the best teacher, this is the best in the world. A delicious pie, said that they have seen various teachers and tasted various pies." First of all, all the truths and truths are drawn in constant comparison. You can't see everything you can't. Said to be the best. Second, many people have their own private interests and deceptiveness. Don't believe in inheriting stories and conclusions, and draw your own judgments in practice comparison.
Then, choose the direction of the heart, to the essence of sincerity. If you want to be an accomplished collector, you must continue to learn and improve according to your own heart and establish a collection system with your own unique taste. According to this, it is known that the choice of new jade or old jade is made by oneself. However, in the choice between boutiques and general products, we must not listen to what experts say. Professor Zhang Lanxiang, a famous expert in jewellery and jade identification, once said that it is better to buy 10 pieces of fine goods to buy a fine product, and never use a fine money to exchange 10 pieces of general products. A collector of ordinary strength has limited financial resources. One or two pieces of fine goods can be found in Tibet. In fact, it is already a good achievement.
Finally, if you are like a grind, I am the same. People can be jade, jade can raise people, in constant revolving, until the deepest connotation of jade culture - respecting heaven and earth. The ancients said: "The road is awkward, not impossible; things are small, it is not impossible." Appreciate, touch the real feelings, practice can be true.
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